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    Room 60 • Poetry Hotel 

Seven Poems / Ligi

 

666

 

I tried to sell my soul to the Devil

you can't make a living writing poems

 

yeah sure where do I sign I said

I want the money up front

 

how much you asking the sales rep wanted to know

 

a clean 200 thou I said in 20s and 50s

 

that's a lot of bread the guy said

 

I'll settle for 15 thou a year for ten I said

two years in advance

 

that's still a hundred and fifty thou he said

with 30 down

 

twelve five a year's as low as I go

with 20 on the table

 

It's a deal the guy said

 

but I get to sign with the Devil himself

 

What are you talking now

 

for a measly eighth of a million

I get to sign with the Man himself

a baseball player gets more than that

as a signing bonus

I get to see the old geezer

I get to look him in the eye

 

nobody gets to see the boss the rep said

 

I get to see him

or the deal's off

blood or no blood

 

he looked at my wrist and shook his head

the deal's off he said

 

you fucking wimp I said

we had a deal

 

nobody gets to talk with the boss he said

them's the rules

 

then let me talk with God

-----------------

HOW WE LIVED AND LET LIVE

 

When I was ten around New York
Akis slammed me down with a garbage can cover
after I'd beaten him fair
over a girl

Two weeks later
when the stitches came out
I got him back
with a brick behind the neck
which cost me a beat in face
a broken nose and glass in my eyes

I hadn't figured on his brother

Akis and I got along after that
He walks with a limp
and his arms shake a little
but my eyes don't focus
and the scar in my scalp
itches me awake in the night
 

-----------------

BEFORE THE FLOWERS DANCED

"In Italian salma is both a large unit or weight or volume and a corpse carried on

a stretcher, which has on the average the weight of what I call a basic load."
— Livio Cattulo Stecchini,
Notes of the Relation of Ancient Measures to the Great Pyramid

The swamp around Savannah is jammed
with hungry frogs. It is said
the tadpoles reach a foot to eighteen inches
in a month. Meanwhile, the bugs
are getting thin, almost transparent, but bugs
we can do without. For each disease
they carry us, someone discovers a cure.
Still, when a frog gets hungry and the bugs
run out — it's hard to imagine.
At night the merchant ships stay moored.
The captains keep mistaking their eyes
for beacons. And some have sailed
into cavernous mouths believing their ears
instead of the tales. I have heard
of Piper Cubs returning with their landing gear
"Plicked off," as a pilot put it, for getting
too close to the trees. Before the flowers danced
at Hiroshima, frogs were bait for bass, or things
a kid brought home like bottle caps and sticks.
Months went by without a word from them.
Occasionally, we heard of wars, or how
a million males competed for a single chance
to get the girl, and there were times
migrations held up traffic for miles
in cities we'd never have dreamed of
if not for the news. Those days are gone.
Now children disappear from their cribs
on the ends of the seven foot tongues.
The limits of the city recede. The water rises.
The signs along the road say Do Not Stop.
The rain is terrible to hear. I do not stop.

-----------------

PROBLEM SOLVING

for Gordon

 

I just wish you people would leave me the fuck alone

I don't give a shit for you people

 

oh sure you do liege he said

 

you're an asshole I said

 

see he said there you go

being defensive

 

I'm offensive I said I practice at it

 

because you want to be nice

he said

 

I don't want to be nice I said

I don't need to be nice

 

how else can you reach them he asked

 

reach who

 

them he said moving his arm

as if he was directing a fly

to a pile of shit

as he fell off the couch

 

oops he said I seem

to have fallen off the couch

 

whatever you say I said

and got up to get another beer

 

you want one I asked

better not he said

you pussy I said

well okay he said

 

with two or three more beers in him

maybe he'll head-on with a semi tonight

 

he can't stay here

-----------------

 

TWO THOUGHTS TWO HOMILIES
 
We say because our keys
Have never opened the lock
No one has a key that fits it

A man had enough time next spring
And a bucket of minners
He’d hook him a stringer full
Right here in them weeds

We hope because the lock
Remains unopened something
Horrible hides behind it.

With dim imagination flint
A stone and a little tinder
A man could make this place
Right here right cozy

-----------------

THIS MAN WAS ALSO WITH HIM

 
When I was hanging turkeys, trucks
Pulled into the dock as fast
As hands could empty them. All night
I dragged those heavy toms from coops
To work my debts off, thinking of
The jobs a man will take to himself,
Embrace, assimilate, and curse
For the sake of coins already spent.
I thought of ditches dug, of furniture
Unboxed, reboxed, and moved, of crops,
Of zombies made, of courses taught,
And hung those stupid birds to have
Their gullets slashed for cash, while trucks
Had hummed, machinery had hummed, and fans
Forced feathers and dust to my sweat
And shit covered skin, while toms
Tolled past, an endless line of birds
Hung upside down from truck to knife
To home. This was my job. The flesh
Tore from my hands in clumps and bled
Where blisters wore and wore again
With pain I thought I never would
Endure. I swore my hands would die,
Would crumble off, would never let
Me work an easy job again,
Until I watched that line of birds,
All white and helpless, flopping from
Their shackles, singing their insane song
From the last of their throats, moving endlessly
Toward pies and soup, toward cold cuts and
Thanksgiving, forever away from me
Where the shackles hummed and hummed all night
When I was hanging turkeys
   

                   

-----------------

LIFE ON THE FARM

 

as george grew up he humped the bed
the oak posts holding up the roof
the water pipes
in the corner of the room


the room is grey and most of us
beat our heads against the walls
but george would hump and hump
he made the attendants laugh
and throw cold water on him


between the splinters and the burns
a new girl came to work
so george tried to hump her too


the new girl screamed real loud
and even though the attendants laughed
and laughed shhh shhh
some men came in and carried george away


they put him in another room and tied his arms up

I saw him now and then
when they brought him to the room
where pain was put in our heads


george is my friend and it hurt
to see him hurt in the head for all those years
but he kept on humping things


he couldn't talk but I could
barely stop I said
but my voice was not strong
and my ears would bleed
because they didn’t want to hear me


one day they brought george back to us
with his balls cut off poor george
he is my friend


he walked right past his bed
the oak posts the water pipes
and straight to the wall where he sits
and beats his head against it
like the rest of us

-------------------------

-------------------------

About the Author: 
Ligi (Gary Elio Emiliano Larson-Ligi) is the Director of the Portland Pataphysical Outpatient Clinic Lounge and Laundromat. His book of

poems, Disturbances (Ahsahta Press/Boise State University, 1990), garnered critical praise from Ginsberg, Patchen, Rexroth and Mark Van Doren.

He is the co-founder of YU News Service and co-author of The One Minute President (Poor Souls Press, 1984), both with Paul Fericano.

Substack: Doctor Faustroll Writes The Wrongs
 

Acknowledgements: "Before The Flowers Danced" previously appeared in the author's collection, Some Accident Between the Grass And My Feet, 

(Leatherfoot, 1977); "Problem Solving", "Two Thoughts Two Homilies", "Life on the Farm", "This Man Was Also With Him", "666" and "How We

Lived And Let Live" previously appeared in Doctor Faustroll Writes The Wrongs (2025)

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